Art and Globalization

Modern artists had always positioned themselves as honest persons, indeed the single artist present itself as the only honest person in a world of hypocrisy and corruption. It is important to investigate how the production of trust and sincerity has functioned in modern times in order to elucidate the way it functions today.

The current idea of “global art” is set along the lines of Coca-Cola and McDonald’s—the McDonaldization of the world. Given the experiences of the past, the West knows that, on one hand, these words are only to give them comfort, and, on the other hand, it is certain that the artists of many countries do not have sufficient knowledge and the means of entry to their domain. If with great difficulty, one or two of them do arrive with a pat or two on the back, they can be absorbed within their [Western] culture.

Besides under certain circumstances, blending cultures might be beneficial, but its disadvantages are obvious. The blending of cultures can only occur between two or a few cultures which are similar, presented to the world in a compatible and harmonious manner. A commanding, dominant culture does not blend well with a dependent, imitating culture. Rather, the former devours the latter.

History has demonstrated that whenever two or a few cultures have faced each other, be it in a peaceful, coexisting manner, or in a conflicting manner, new experiences occur; we call them “multi-cultural” experiences. Today, cultures are expected to resist being devoured by dominating cultures by focusing on their own special features. The efforts of the West are aimed at presenting the art of other peoples as the “symbol of collective identities” while ignoring the individual identities of “others,” that same individuality upon which Western art established itself and through which it attained an identity.

Nowadays art is becoming like any other commodity or product exported and imported worldwide. Small artists can take advantage of a larger platform to sell their works and if they succeed they they have the possibility to reach anyone, anywhere in the world.

Does the evolution of a new hybrid language and the globalization of English provide insights into trends in contemporary art? Will local creativity and regional distinctions be lost in the rush to a common global culture? Or will cultural hybridization and international cultural exchange add strength and help to increase creative expansion?

Illusion of the self

Thomas Metzinger makes a provocative argument: "he states that there is no such thing as a self, that there never has been, that there never will be".

Many philosophers, including David Hume, in the Anglo Saxon universe have said that for a long time. Who am I? The physical body certainly exists, the organism exists, but organisms are not selves. "He does not deny that there is a self-y feeling. He says he certainly feel like someone, but there is no such thing. There is neither a non-physical thing in a realm beyond the brain or the physical world that we could call a self, but there's also no thing in the brain that we must necessary call a self".

Buddhist philosophy had that point 2,500 years ago. So the idea that, as philosophers say, the self is not a substance, that it is something that can stay and hold itself in existence, even if the body or the brain were to perish is not a very breathtaking and innovative idea.

Metzinger states that "what we see and hear, or what we feel and smell and taste, is only a small fraction of what actually exists out there. Our conscious model of reality is a low-dimensional projection of the inconceivably richer physical reality surrounding us and sustaining us. Our sensory organs are limited: They evolved for reasons of survival, not for depicting the enormous wealth and richness of reality in all its unfathomable depth". Therefore, the ongoing process of conscious experience is not so much an image of reality as a tunnel through reality.

He says that "the experience of looking, of being directed to one's own feelings or to one's sensory perceptions of the outside world, creates itself an image. There is nobody looking at the image, it's like the camera is part of the picture or the viewing is itself a part of the process of viewing".

According to him "the self – the feeling of being a mental me in charge of the physical body – is a module within consciousness activated by your brain’s neural processing. The self is categorically not some substantial, essential invariant entity, like a soul or a spirit. He emphasizes that there are no such things as substantial selves. That instead, the self is a phenomenal (that is, experiential) construct that disintegrates entirely when you fall into a dreamless sleep, to be reactivated (usually in attenuated form) when you dream, and that reappears nearly instantaneously when you awake in the morning". The self is put online only when needed, is a part of a larger phenomenal reality generated by the brain as it represents the world and you in it.

The in-descence of time

I am taking a break (as you probably already). I will probably be back in a couple of weeks.
Thanks for your patience.I am taking a break (as you probably noticed). I will probably be back in a couple of weeks. Thanks for your support.

Metaphor and the Mind

Philosophers have long wondered about the connection between metaphor and thought:

• "We believe that we know something about the things themselves when we speak of trees, colors, and flowers, he wrote, and yet we possess nothing but metaphors for things, metaphors which correspond in no way to the original entities". - Niezche

• "Inevitable clash of metaphors in all writing shows only too well that language may subvert or exceed an author's intended meaning". - Derrida

• "A metaphor is often indispensable to express a concept (or meaning) for which words just do not exist in the language. Entire domains (spheres of knowledge such as anatomy and psychology) are mapped in other domains for lack of appropriate words". - Michel Breal

• "Metaphors are markers of the roots of thought itself. They are the main mechanisms through which we comprehend abstract concepts and perform abstract reasoning. Abstract thought would be meaningless without bodily experience. People think with their brains and their brains are part of their bodies as well". - Lakoff and Johnson

• "I think that metaphor really is a key to explaining thought and language. The human mind comes equipped with an ability to penetrate the cladding of sensory appearance and discern the abstract construction underneath - not always on demand, and not infallibly, but often enough and insightfully enough to shape the human condition. Our powers of analogy allow us to apply ancient neural structures to newfound subject matter, to discover hidden laws and systems in nature, and not least, to amplify the expressive power of language itself". - Steven Pinker

When we say someone is a warm person, we do not mean that they are running a fever. When we describe an issue as weighty, we have not actually used a scale to determine this. These phrases are metaphorical-they use concrete objects and qualities to describe abstractions like kindness or importance, we use them so often that we hardly notice them.

Nowadays cognitive scientists have begun to see the basic metaphors that we use all the time not just as turns of phrase, but as keys to the structure of thought. By taking these everyday metaphors as literally as possible, psychologists are upending traditional ideas of how we learn, reason, and make sense of the world around us.

They also suggest that much of what we think of as abstract reasoning is in fact a sometimes awkward piggybacking onto the mental tools we have developed to govern our body’s interactions with its physical environment. Put another way, metaphors reveal the extent to which we think with our bodies. “The abstract way we think is really grounded in the concrete, bodily world much more than we thought” says John Bargh.

Several studies about the relation between body and metaphor have been done, in one of them subjects were asked to hold a cup of either iced or hot coffee, not knowing it was part of the study, then a few minutes later asked to rate the personality of a person who was described to them. The hot coffee group, it turned out, consistently described a warmer person--rating them as happier, more generous, and more caring - than the iced coffee group. The effect seems to run the other way also.

Research about “where metaphor is grounded” is also being performed. It shows that It is not grounded in logic, nor in literary theory. There is no purely literal language in terms of which metaphor may be evaluated and objectively assessed. In the fields ranging from cognitive psychology to social anthropology, metaphors are currently subject to extensive analysis, but the findings can only be partial, and relative to the discipline involved. What is becoming clearer is that metaphors - like linguistic theory - are rooted in the beliefs, practices and intentions of language users.

Comments about Meaning, Language and Music

Meaning

1. Meaning is the human desire to "know" & "understand". Meanings are the concepts we build to see order where apparently there is none.

2. Realization is the meaning. This is true especially for poetry and all modern art.

3. Is Abstraction more real than nature? Is meaning individual, as opposed to collective?

4. If I look for the meaning of a word in a dictionary - I am given the meaning in terms of other words and if I don't know the meaning of them, I can look them up... to infinity.

5. Someone once told me the world itself is abstract, it's only the way we perceive it that makes it concrete.

6. All meaning is context dependent. Nothing has inherent meaning. Which leads me to think that meaning is in the relationship and interaction between things.

7. Our objective view on the world can only ever be subjective simply because we have to give meaning to everything because nothing is concrete; we bring it all into existence in our minds.

8. I always felt that worry was somehow a terrible mutation of anticipation.


Language and Music

9. I choose to believe in the theory enunciated by my beloved Laurie Anderson, in which "Language is a virus from outer space".

10. I still wonder what that first language was. and who invented spelling???

11. I believe in never-ending storage theory (were we have an unlimited memory). If we could know the whole of our minds, we could know the hole universe probably.

12. Language bgaen wehn i ievtnned it jsut now.

13. Sometimes I think it's not the world that is moving faster, it's me that is moving slower. In a relativistic universe, how do I tell the difference? (While talking about how fast language changes)

14. I don't need to know why. music makes me smile, cry, takes me back in time, builds dreams and wishes, drives creativity, lifts me up, takes me down. music just is...

15. Interesting that music can so emotionally charge us, and yet the very nature of music is basic mathematics.

Now try to match as many sentences as you can with their correct author, I should warn you that there are a couple that do not belong to signed comments.

Authors

Steve E, Rob Bryanton, tape, /t, Ariel, Shadow, Shubajjit, Lane Savant , Debora kay, human being , Medicated Lady, Janetk, Gingatao , paulandrewrussell ,tinkerbell the bipolar faery

Comments about Art and Science

We are not humans having a spiritual experience,
we are spirits having a human experience.
Pierre Chardin

Science

1. Ignorance is bliss.
   
2. Knowledge, "...can't get no satisfaction!"

1. About the tea party...Quantum physics teaches us that there's no good reason, or law, that stops the pouring tea from going up. And the broken egg can mend itself. Yeah, right.

1. Define everything that a human being is in truth (not honesty) and all the other answers are verifiable through standard theorem, test and prove procedures.
2. Until one understands the totality of "human" then no explanation to the question is possible because all of the components of the equation are not included.

1. I can't see the forest because I am a tree. So when I fell, I fell in backwards. Heaven is within. Only Time will tell if I made a sound when I landed. Assume I did. I made a big bang, and a choir of angels roared in my behalf.

Science and Art

1. I believe poetry is a more accurate description of the world than science because time is not linear. Science is based on linear causality across time, prose like this is linear. Time is not linear and poetry is how language escapes linearity.

1. Numbers are a means to an end, art is an end in itself, it is meaning.

1. i know...
2. but it's not enough, i know
3. i love...and it's not little, you know
4. 
   
5. i'm standing on a dot
6. but i can see
7. infinity
8. and
9. beyond
   

1. I believe art is also crucial for the well being of the brain. We have evolved over time from periods of intense physical activity, where the body was exercised continuously just to find and capture food, to leading sedentary lives. Thus,the effect of no exercise on the body can be clearly seen. As the body gets less exercise, the brain takes a more prominent role, 'thinking' instead of physically 'doing'.
2. Art can occupy the brain when it needs its own exercise, when it isn't taking care of the physical aspects of the body's operation.
3. Art is an outlet for the mind, as physical exertion is an outlet for pent up aggression.

Art

1. I think that art might replace the playing activity kids do everyday and grown ups stop doing, Art has pretty similar characteristics to playing, it is exploratory, it is fun, it involves discovering, it involves learning and creating, and so on.

1. ...beauty isn't strictly located in the brain..." well, the brain isn't strictly beautiful, either.

1. There is no doubt that perception allows people to connect, and that I believe is our true nature.
2. We are all connected in a sense yet granted the gift of our unique perceptions.

1. Have you considered that the universe itself might be sentient and that the laws of physics are merely universal thought patterns? In this view, would reality be changeable or plastic as defined by universal thought?

Artists


Val, Walking man, Uncle Tree, Scribulus, Squires, Stu, Human Being, Rick

Music Function

Making music is one of our most basic instincts. There’s a reason we refer to music as the “universal language”; there has been no known human culture without music. Dancing and music came before agriculture, and possibly even before language. Bone flutes were found in Europe dating back 53,000 years ago.

Music has the ability to change the emotional and physical status of people, whether they are in bad moods, good moods, or sad moods. Music can also make people feel the suspense or excitement while watching a movie.

Music is part of the complex organism that is the human being and emotional expression is a very great part of that. I would prefer to say that music is a unique way of knowing the world, which goes along with other ways of knowing the world: visual, linguistic, phonetic, psychological, and mathematical.

Music is utterly entwined with notions of memory, of emotion, of identity, of relationship with place and time; of relationship with other human beings, with all living and inanimate objects, relations with the heavens, with the gods, people's ways of interpreting their worlds or their cosmologies in their own particular ways, very culturally specific ways.

Different types of music directly trigger different emotions. While happiness causes you to breathe faster, sadness causes a rise in blood pressure and temperature and a slower pulse. Faster music played in a major key caused the same physical reactions associated with happiness, and slower music played in a minor key resulted in those associated with sadness.

We may wonder what is the utility that music provides to humanity, and if there is one indeed. There are tree main theories that try to explain this mystery:

1. Music evolved through sexual selection - Charles Darwin
2. Music allowed for social cohesion on a larger scale than was available to more primitive primates, which create and enforce group ties through the physical process of mutual grooming - Robin Dumbar
3. The enjoyment of music is just a “happy accident,” a by-product of mental mechanisms that evolved for other purposes - Steven Pinker

What is music for? How does it work? What can it teach us? We feel there must be answers to such questions, but they tend to be scattered throughout a wide range of different areas of study, from acoustics to music history, from psychology to composition. This makes the answers very difficult to find.